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leftovers.” Regarding production he recounted the following information: “I think I remember being 'pushed' to come up with 30 of the simpler chassis (Super Reverb? But it wasn't always 'cool guitar' amps, sometimes I was making Fender Rhodes Satellite amps on bent aluminum, sometimes only Champs.

I remember two 'suits' from upstairs standing behind me occasionally doing time studies.

Some examples include a '66 Princeton Reverb and ’66 Pro Reverb with Better Coil output transformer, a ‘66 Deluxe Reverb and ‘67 Twin Reverb with Better Coil reverb transformer, and a 1968 Vibro Champ with Better Coil trannies.

These units look, and apparently sound, just like the Schumacher-made units so it’s easy to overlook that “831” code.

Some things are very obvious such as non-original or reconed speakers, non-original transformers, replaced pots, re-tweed, re-tolex, re-grill, etc.

Fender’s amps, unlike their guitars, are not tracked by the serial number.

Well, this universal “truth” was debunked when we found a bunch of amps with transformers made by the Better Coil and Transformers company.

These are marked with EIA code “831” and are most prevalent during the 1966-68 time period.

They actually held clipboards and stopwatches to measure how long it took for me to attach various parts.

Of course I tended to hurry more when they were there, and I would fumble more, too.” Another really interesting fact was that he recalled that the eyelet boards were loaded/wired/soldered in Mexico!

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